This short relies on the rhythm of the edit, associating to audio cues to those of the visual plane where “Visual impact is ephemeral, it’s an impact you receive which suggests a thousand thoughts”, in the style of Jean Cocteau’s Le Sang d’un Poète (Cocteau, 1930): with Sir Ian McKellen's non-diegetic interpretation of the Shakespearean monologue, juxtaposed with the images that I as a filmmaker have crafted, as well as those of archive, one could almost say that this film presents an audiovisual take on the Kuleshov Effect where the dramatic monologue takes a very cynic strand.